max bill zürich

MAX BILL (1908-1994) konzentration von elementarfarben, 1965 rückseitig auf Leinwand signiert und datiert 'bill 1965', auf Keilrahmen signiert, datiert und bezeichnet 'max bill zürich konzentration von elementarfarben 1965' Öl auf Leinwand 33 x 33 cm He was 85 and lived in Zumikon, a Zürich suburb. Max Bill was best known, however, as a driving force in the founding and planning of the Ulm School of Design (HfG Ulm) and as the architect and first rector of the school (1950–1956). As a designer and artist, Bill sought to create forms which visually represent the New Physics of the early 20th century. More infos. Wohnbedarf Zürich Bill, Max Graphics. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). His connection to the days of the Modern Movement gave him special authority. How to find us Take tram no. Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. Yet curiously Bill's critical interpreters have not really grasped this fundamental issue. His architectural work included an office building in Germany, a radio studio in Zurich, and a bridge in eastern Switzerland. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Max Bill’s wooden furniture is the physical expression of his belief that functionality, as well as the economy of materials and design, should be combined with … Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work. Veja mais ideias sobre max bill, abstrato e concreto, winterthur. He sought to create objects so that the new science of form could be understood by the senses: that is as a concrete art. He sought to create objects so that the new science of form could be understood by the senses: that is as a concrete art. Artist, Architect, Writer, Typographer, Graphic Designer, Industrial Designer, Painter, Sculptor, Information from Getty’s Union List of Artist Names ® (ULAN), made available under the, Negerkunst, Prähistorische Felsbilder Sudafrikas, Negerkunst, prähistorische Felsbilder Südafrikas, Poster for an exhibition on the Neubühl housing project (Wohnausstellung Neubühl), Zürich, Poster for an exhibition of furniture by Wohnbedarf at Le Corbusier's Maison de Verre [Immeuble Clarté], Geneva, "Dämmerung: Notizen in Deutschland" Heinrich Regius, Trudi Stössel Schule für Gymnastik und Rhythmik, Wechlin-Tissot & Co, Zürich, Artz- und Spitalbedarf, Silvia Zangger und Dr. Joachim Schumacher, Max Bill, Serge Brignoni, Hans Erni, Hans Fischli, Hans Hinterreiter, Max Huber, Léo Leuppi, Richard Paul Lohse, Vreni Löwensberg, Sophie Taeuber-Arp, Various Artists, Jean (Hans) Arp, Max Bill, Sonia Delaunay-Terk, César Domela-Nieuwenhuis, Vasily Kandinsky, Léo Leuppi, Richard Paul Lohse, Alberto Magnelli, Sophie Taeuber-Arp, Georges Vantongerloo, Various Artists, Galerie Herbert Herrmann, Ausstellung, Juli 1948, Josef Alers, Max Bill, Hans Arp, Pevsner, Vantongerloo, Bill, Kunsthaus Zürich, Futurismo Pittura Metafisica, 1950, Kunsthaus, Zurich, Josef Albers, Staatliche Werkkunstschule Kassel, Creative Commons Attribution-ShareAlike License. Max Bill. After an apprenticeship as a silversmith during 1924-1927, Bill took up studies at the Bauhaus in Dessau under many teachers including Wassily Kandinsky, Paul Klee and Oskar Schlemmer from 1927 to 1929, after which he moved to Zurich. 1975 The Corcoran Gallery of Art, 'Max Bill', Washington DC … 8 or bus no. In 1973 he became an associate member of the Royal Flemish Academy of Science, Literature and Fine Art in Brussels. The school was notable for its inclusion of semiotics as a field of study. 32 to the «Helvetiaplatz» stop, then it's a 1-2 minute walk to the WOKO office. Wohnbedarf AG, Zürich. His geometric screen print, which consists of four squares divided into orange, yellow, blue and pink rays, follows the strict principles of composition that defined his rational work. We use our own and third-party cookies to personalize your experience and the promotions you see. More information is also available about the film collection and the Circulating Film and Video Library. HONG KONG FOOD PARADISE Thurgauerstrasse 32 , 8050 Zürich, Switzerland. 1956. klok Bill, Max Design. Die interaktive Karte von Zürich, Max-Bill-Platz mit aktuellen Informationen zu Verkehr, Gastronomie und mehr His 1951 retrospective at the São Paulo Museum of Modern Art was highly influential, helping the birth of a Brazilian avant-garde that would eventually move from concretism to a looser, more creative form - neo-concretism. 29 1/8 x 17 11/16 x 20 7/8" (74 x 45 x 53 cm). As an industrial designer, his work is characterized by a clarity of design and precise proportions. Drei weitere Versionen befinden sich im Kunsthaus Zürich, im Museum Moderner Kunst in Wien als Teil der öffentlichen Sammlung und im Privatbesitz. Max Bill was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer, known as the founder of Concretism (concrete art). Mondrian and the geometrical-constructive art of the De Stijl movement, the Bauhaus and its teachers Klee and Kandinsky met with an enthusiastic response in Zurich, where architects and designers such as Max Bill and Richard Paul Lohse took up … Ab 1929 liess er sich als Architekt, Grafiker, freier Künstler und Publizist in Zürich nieder. One who understands embodiment as the ultimate expression of a concrete art. Kurry World-MAX BILL PLATZ - OERLIKON. From 1937 onwards he was a prime mover behind the Allianz group of Swiss artists. value added tax ©2021 UHRENFABRIK JUNGHANS GMBH & CO.KG. In 1976 he became a member of the Berlin Academy of Arts. Yet curiously Bill's critical interpreters have not really grasped this fundamental issue. His connection to the days of the Modern Movement gave him special authority. In 1944, Bill became a professor at the school of arts in Zurich. By visiting our website or transacting with us, you agree to this. Office opening times Due to Corona our opening hours may differ. Angepasst wurde einzig die Energieversorgung durch Erdwärme im Jahr 2007 und Solarstrom 2013. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. Kunstgewerbemuseum Zürich … 2 2012. CONCEPT: Max Bill OBJECT: Set of 6 Original Kreuzzargen Chairs MANUFACTURER: Horgen Glarus DIMENSIONS: - ( L X D X H ) MATERIALS: Solid Maple / Vinyl YEAR: CA. Konkret Kunst Kunsthalle Basel Bill, Max Graphics. 1956. klok Bill, Max Design. 1927–1928 studierte er in Dessau am Bauhaus, wo zu dieser Zeit Josef Albers, Wassily Kandinsky, Paul Klee, L… Pavillon-Skulptur (1979–83), a large granite sculpture, was installed adjacent to the Bahnhofstrasse, Zürich in 1983. Max Bill, Pavillon-Skulptur 1983, Zürich. If you have additional information or spotted an error, please send feedback to [email protected]. Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work. He was an active member of the Abstraction-Création group, and was rector of the Ulm Hochschule für Gestaltung from 1951-1955. Max Bill: ROBERT MAILLART. Kurry World-VERTEX - CS TOWERS. Parallel texts in French, German and English. Praha: Národní galerie 1987; Eduard Hüttinger: Max Bill. Swiss sculptor, painter, typographer, and teacher studied at the Bauhaus (1927-1929) and remained faithful to that institution's tenets throughout his life. Im Alter von 17 Jahren wurde er 1925 mit seinen Schülerarbeiten an die Exposition internationale des Arts Décoratifs et industriels modernes in Paris eingeladen, wo ihn besonders die Werke von Le Corbusier, Konstantin Stepanowitsch Melnikow und Josef Hoffmann beeindruckten. One who understands embodiment as the ultimate expression of a concrete art. Although the stool was a creation of Bill and Ulm school designer Hans Gugelot, it is often called "Bill Hocker" because the first sketch on a cocktail napkin was Bill's work. In 1953, alongside Inge Aicher-Scholl and Otl Aicher, he founded the Ulm School of Design (German: Hochschule für Gestaltung - HfG Ulm) in Ulm, Germany, a design school initially created in the tradition of the Bauhaus and which later developed a new design education approach integrating art and science. Scheidegger & Spiess, Zürich: Bd. CONCEPT:Max Bill OBJECT: Stool for the University of Ulm MANUFACTURER: Attributed Early Wohnbedarf Swiss Edition DIMENSIONS:- MATERIALS: Solid Elm YEAR: attributed: 1965 CONDITION: Good ART-NO: SQ8181150 PURCHASE PER … 180 pp. In this way he is not so much extending as re-interpreting Bauhaus theory. Teoreettisten tekstiensä ja edistyksellisen oman tuotantonsa perusteella Max Billiä pidetään laajalti merkittävimpänä vaikuttajana Sveitsin graafisessa suunnittelussa 1950-luvulla. Max Bill machte von 1924 bis 1927 eine Lehre als Silberschmied an der Kunstgewerbeschule Zürich. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. Multiple paper stocks. This sculpture, made from a draft of 1941, is one of Max Bill's few figures in bronze that was cast using the lost wax technique. Square quarto. 1956. Bill relied on mathematics and geometry to create his paintings and sculptural works, and is associated with the theories of concrete art. 1960. Photo illustrated dust jacket. Birch and laminated wood. He made spare geometric paintings and spherical sculptures, some based on the Möbius strip, in stone, wood, metal and plaster. In 1944, Bill became a professor at the Kunstgewerbeschule Zürich. Max Bill. As a designer and artist, Bill sought to create forms which visually represent the New Physics of the early 20th century. Our site uses technology that is not supported by your browser, so it may not work correctly. From 1952 on, Bill also headed the Department of Architecture and Product Form. After an apprenticeship as a silversmith during 1924-1927, Bill took up studies at the Bauhaus in Dessau under many teachers including Wassily Kandinsky, Paul Klee and Oskar Schlemmer from 1927 to 1929, after which he moved to Zurich. HONG KONG FOOD PARADISE Binzmühlestrasse 104, 8050 Zürich, Schweiz. By visiting our website or transacting with us, you agree to this. From 1937 onwards he was a prime mover behind the Allianz group of Swiss artists. 1 2008, Bd. ALL RIGHTS RESERVED. (Please be aware, that WB-Form is producing REPLICA ISBN 3-922608-79-5; Angela Thomas: Max Bill und seine Zeit. : SQ5671595 Midcentury Original by Horgen Glarus. 1949. For licensing motion picture film footage it is advised to apply directly to the copyright holders. 1987 Schirn Kunsthalle, 'Max Bill', Frankfurt am Main, Germany. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. Bill was born in Winterthur. 1952 CONDITION: VERY GOOD Art.-No. From 1937 onwards he was a prime mover behind the Allianz group of Swiss artists. Tripod Chair. Examples are the elegant clocks and watches designed for Junghans, a long-term client. The Allianz group advocated the concrete art theories of Max Bill with more emphasis on color than their Constructivist counterparts.. Their first group exhibition, Neue Kunst in der Schweiz, was held in Kunsthalle Basel in 1937 (January 9-February 2) and was followed by a second at the Kunsthaus in Zürich in … 1935. klok Bill, Max Design. Kunstgewerbemuseum Zürich Dokumentation über Marcel Duchamp Bill, Max Graphics. 11/nov/2015 - Explore a pasta "max bill | art" de OG Grafista no Pinterest. Tan cloth titled in black. Obrázky, zvuky či videa k tématu Max Bill na Wikimedia Commons Publications Museum für Gestaltung Zürich: Max Bill - Sicht der Dinge Publications Posters Editions Max Bill - Sicht der Dinge. The full text of the article is here →, Blau-violettes horizontal-vertikal-quadrat, Area of a pentagon in space with plain circumference. For access to motion picture film stills please contact the Film Study Center. The Max Bill Collection is characterised by clarity, simplicity and mathematical precision. He continued to produce architectural designs, such as those for a museum of contemporary art (1981) in Florence and for the Bauhaus Archive (1987) in Berlin. Book design and typography by the author. He belonged to the Zurich School of Concrete Artists, which in turn was inspired by Wassily Kandinsky and Paul Klee. * All prices incl. His works are abstract, based on grid systems or concerned with geometric conundrums such as the Möbius strip. After working on graphic designs for the few modern buildings being constructed, he built his first work, his own house and studio (1932–3) in Zurich-Höngg. He co-founded in 1953 the Ulm School of Design. In this way he is not some much extending as re-interpreting Bauhaus theory. 17 éves volt, amikor 1925-ben meghívták egy párizsi nemzetközi iparművészeti kiállításra, e kiállításon megcsodálta Le Corbusier és más hírességek alkotásait. In addition to his teaching, Bill wrote and lectured extensively on art, architecture and design, appearing at symposiums and design conferences around the world. 8004 Zürich woko@woko.ch. Swiss painter, sculptor and architect; d. 12/9/94 in Berlin. Among Bill's most notable product designs is the "Ulmer Hocker" of 1954, a stool that can also be used as a shelf element, a speaker's desk, a tablet or a side table. This design by Max Bill, the master of concrete art, stands in stark contrast to Bernhard Luginbühl’s exuberant web of lines and arpeggios the previous year. 1944. Externí odkazy. Max Bill begann zunächst eine Silberschmiedlehre (1924–1927) an der Kunstgewerbeschule Zürich, bevor er mit der Absicht Architektur zu studieren, ans Bauhaus in Dessau wechselte. Title: Max Bill, Kunsthaus, Zürich Creator(s): Bill, Max, 1908-1994, artist Date Created/Published: [Zurich] : Albin Uldry Serigraphie, [1968] Medium: 1 print (poster) : screen print, color ; 127 x 90 cm. 250 black and white photographic plates. As is often the case with modern art in public places, the installation generated some controversy. Faculty and students included Tomás Maldonado, Otl Aicher, Josef Albers, Johannes Itten, John Lottes, Walter Zeischegg, and Peter Seitz. 1956. 1935. klok Bill, Max Design. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. Thus Bill is not a rationalist -as is typically thought- but rather a phenomenologist. He also acted as architect of the HFG's buildings. Edition Cantz, Stuttgart 1987. As an industrial designer, his work is characterized by a clarity of design and precise proportions. Wikidata Q123454 View or edit the full Wikipedia entry. Konkret Kunst Kunsthalle Basel Bill, Max Graphics. Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. 1944. Bill was a professor at the Staatliche Hochschule für Bildende Künste Hamburg and chair of Environmental Design from 1967 to 1974. Please. Max Bill, (born December 22, 1908, Winterthur, Switzerland—died December 9, 1994, Berlin, Germany), Swiss graphic artist, industrial designer, architect, sculptor, and painter, primarily important for his sophisticated, disciplined advertising designs.. Bill’s early ambition was to become a silversmith, but the work of the architect Le Corbusier influenced him to study … Allianz was a group of Swiss artists which formed in 1937.. Endlose Treppe (1991), a sculpture made of North American granite, was designed for the philosopher Ernst Bloch. In 1982 he was awarded the Sir Misha Black award and was added to the College of Medallists. Életpályája. Max Bill, Katalog výstavy, Praha květen 1987. First edition. Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. Bill was born in Winterthur. Information from Wikipedia, made available under the. Zürich: Verlag für Arkitektur AG, 1949. After working on graphic designs for the few modern buildings being constructed, he built his first work, his own house and studio (1932–3) in Zurich-Höngg. In 1982 he also entered a competition for an addition to the Neue Nationalgalerie in Berlin, built to a design by Mies van der Rohe. Die Zumiker Bill-Architektur ist in ihrem ursprünglichen Zustand erhalten. Hänen muotoilutyötään luonnehtivat muodon selkeys ja tarkat mittasuhteet. Konkrete Kunst 50 Jahre Entwicklung Helmhaus Zürich Bill, Max Graphics. Max Bill 1924 és 1927 közt ezüstművességet tanult a zürichi iparművészeti iskolában. 1960. Max Bill (1907 – 1994) was born in Winterthur and made a name for himself as an artist, architect, painter, graphic designer, and sculptor. Bill died en route to a hospital after collapsing from a heart attack at Berlin Tegel Airport. Das 1967 von Max Bill erbaute Wohn- und Atelierhaus in Zumikon bei Zürich grenzt an ein Naturschutzgebiet und liegt auf einem knapp drei Hektaren grossen Grundstück. Monday to Friday 11:00–14:00 17:30–21:30 Saturday & Sunday Closed. Wohnbedarf Zürich Bill, Max Graphics. Kunsthaus Zürich, 'max bill – auswahl durch max bill', Zurich, Switzerland. This record is a work in progress. In particular, he wrote books about Le Corbusier, Kandinsky, Ludwig Mies van der Rohe, and artistic theory. 1978 Quadrat Bottrop – Josef Albers Museum, 'Max Bill', Bottrop, Germany. Thus Bill is not a rationalist – as is typically thought – but rather a phenomenologist. Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. The school closed in 1968. Alexander Schärer … After working on graphic designs for the few modern buildings being constructed, he built his first work, his own house and studio (1932–3) in Zurich-Höngg. See map.search.ch and Google Maps.

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