Frutiger had been considering creating such a design for many years before its release. Er zählt zu den massgebenden Schöpfern der Schweizer Typografie. After initially planning to train as a pastry chef, Frutiger secured an apprenticeship at the Otto Schlaefli printing house in Interlaken. 1971-1972. [23][24], Univers attracted attention to Frutiger's work outside continental Europe, and he was commissioned by Monotype to create Apollo, their first typeface specifically created for phototypesetting, which was released in 1964.[6][25]. The second digit indicates the face-width and either roman or oblique. Mar 17, 2016 - Explore Kate Stone's board "Adrian Frutiger", followed by 260 people on Pinterest. In 1949 he transferred to the Kunstgewerbeschule Zürich, where he studied under Walter Käch, Karl Schmid and Alfred Willimann until 1951. [30][31], In the 1970s, Frutiger designed Icone, a wedge-serif design with mild stroke modulation, which has many similarities in basic letter structure to Frutiger, and in overall effect to Albertus. Januar 2021 um 15:14 Uhr bearbeitet. In an interview with Linotype, he said he felt an obligation to design a linear sans in the tradition of Erbar and Futura, but to also make use of the experience and stylistic developments of the twentieth century. [Biografie Adrian Frutiger] Adrian Frutiger. Adrian Frutiger nació el 24 de marzo de 1928 en Unterseen, Suiza (fallece en Berlín el 12 de Septiembre de 2015). His father and his secondary school teachers encouraged him to pursue an apprenticeship rather than pure art. Empezó en 1944 su formación profesional, a los 16 años, en la escuela de Artes y Oficios de Zurich donde se dedicó al estudio y al diseño de la caligrafía.Al mismo tiempo completaba su formación trabajando como aprendiz en una imprenta llamada Otto Schaeffli. ): Diese Seite wurde zuletzt am 14. Adrian Frutiger was born in 1928 at Unterseen near Interlaken, Switzerland. Adrian Johann Frutiger[1] (Swiss German pronunciation: [ˈfrutɪɡər]; 24 May 1928 – 10 September 2015) was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century. Mappe für Farbenfabrik. Frutiger Arabic (2007): designed by Lebanese designer Nadine Chahine in consultation with Frutiger. 1970 . Biographie d'Adrian Frutiger Adrian Frutiger, on l'aura compris, est l'un des plus grands typographes de notre temps. En 1946 alors qu’il a dix-sept ans et jusqu'à ses vingt-et-un ans en 1950, il fait des études, avec Peter Knapp et Adrian Frutiger, à l'école des arts appliqués de Zurich, sous la direction de Johannes Itten membre important du mouvement Bauhaus [3].Il y décroche un diplôme de décorateur de vitrines, puis poursuit ses études de graphisme. Adrian Frutiger, est l'un des plus grands typographes de notre temps. Adrian Frutiger. Schweizerische Stiftung Schrift und Typographie, Heidrun Osterer, Philipp Stamm (Hrsg. Meier (the second important type artist in Switzerland), we’re losing with Adrian Frutiger a humble person, a genius. [5] Univers was notable for being one of the first sans-serif faces to form a consistent but wide-ranging family, across a range of widths and weights. Logoentwürfe (Konvolut) [Brancher] Adrian Frutiger. Adrian Frutiger’s most popular book is Signs and Symbols: Their Design and Meaning. Contemporary Swiss graphic designer, typographer and type designer of imagination and consummate craftsmanship, associated with Deberny & Peignot, Bauer and Linotype. Biographies. Adrian Frutiger *1928 à Unterseen bei Interlaken †2015 à Bremgarten bei Bern. Jahrhunderts wie Friedrich Glauser (1995), Adrian Frutiger (1999), Anne-Marie Blanc (2001), Ettore Cella (2002), Ferdy Kübler (2003) und Max G. Bollag (2007). Nami (2006): a playful unicase sans. Originally, the institute was named National Design Institute, however, the institute renamed itself to match Adrian Frutiger's stylized NID logotype alongside the name "National Institute of Design. Un an plus tard Albert Boton le rejoint au sein de la fonderie Deberny & Peignot. [Adrian Frutiger; Heidrun Osterer; Philipp Stamm; Fondation Suisse Caractères et Typographie.] Collaborating with Linotype designer Akira Kobayashi, Frutiger expanded the Avenir font family with light weights, heavy weights, and a condensed version that were released as the Avenir Next font. Geboren am Ende der 1920er-Jahre erlebt er eine Kindheit in den 1930ern und seine Jugend in den 1940… Swiss typographer Adrian Frutiger, designer of typefaces including Univers, Avenir and the eponymous Frutiger, has died. Adrian Frutiger was born on May 24, 1928 in Unterseen, Bern, Switzerland. Linotype launched a font series named Type Before Gutenberg in 1989 and in the 1990s, Frutiger released as part of it a series of designs inspired by pre-printing alphabets, such as Herculanum and Pompeijana, inspired by Roman brush lettering, Rusticana, inspired by capitalis rustica Roman carving. Werke. [27], In 2009, Frutiger collaborated with Akira Kobayashi on a second re-release of Frutiger, Frutiger Neue, which moved back towards the original 1970s release.[51]. Seine erste Frau, Paulette Flückiger, starb 1954 nach der Geburt des gemeinsamen Sohns Stéphane. Breughel (1982): an old-style serif inspired by the Renaissance. Adrian Frutiger was born on May 24 1928 in Unterseen in the Canton of Bern. Mai 1928 in Unterseen; † 10. * 1928 Interlaken/Schweiz - lebt in Bremgarten bei Bern. Jahrhunderts geboren. (Identifont, Fonts Designed by Adrian Frutiger) Some of his most famous fonts are: Frutiger, Meridien, the OCR series, Univers, and Serifa, to name a few. September 2015. In 1987 he was awarded the TDC Medal, the award from the Type Directors Club presented to those “who have made significant contributions to the life, art, and craft of typography”. Frutiger intended the design to be a more human version of geometric sans-serif types popular in the 1930s such as Erbar and Futura, and it is named Avenir ("future" in French) as a reference to the latter.[39]. Frutiger, Adrian (1928-....) Affiner. 1952 wurde er Mitarbeiter der Pariser Schriftgiesserei Deberny & Peignot, 1962 gründete Frutiger sein eigenes Grafikatelier in Arcueil bei Paris, zusammen mit Bruno Pfäffli und André Gürtler. Graphic designers have paid tribute to his existence and his legacy. Adrian Frutiger-- Caractères : L'œuvre complete. See more ideas about adrian, typography, typeface. At the very young age, he began experimenting with stylized handwriting and invented scripts, defying the formal, cursive penmanship then taught at Swiss schools. His slab serif designs Serifa (1967) and Glypha (1977) are directly based upon it. Frutiger disliked the regimentation of Futura, and persuaded Peignot that the new sans-serif should be based on the realist (neo-grotesque) model. Adrian Frutiger has 23 books on Goodreads with 930 ratings. Biographie de Adrian Frutiger - : découvrez sa filmographie, ses dernières news et photos. Adrian Frutiger wird 1928 in Unterseen bei Interlaken geboren. [11][12] He married the theologian Simone Bickel in 1955. [15][16][17], In an interview, Frutiger described himself as a Calvinist. Jane Birkin amp Serge Gainsbourg la vie l amour Gala. Biographie. Adrian Frutiger zählt zu den wichtigsten Schriftgestaltern des 20. 3 Adrian Frutiger (1928-2015), biographie présentée p. 71-74; 1 Le Museum fur Gestaltung de Zurich présentait, de novembre 2016 à mars 2017, l’exposition Les Suisses de Paris, retraçant le parcours de graphistes suisses venus s’installer à Paris après la Seconde Guerre mondiale. In 1970, Frutiger was asked to design signage at the new Charles de Gaulle Airport in the Roissy suburb of Paris. Univers was reissued as Linotype Univers with sixty-three variants; Frutiger was reissued as Frutiger Next with additional weights. Parts of this design were finalised by Linotype's team; it was based on an alphabet drawn by Frutiger on a 1992 Christmas card. Er kommt 1928 zwischen den Weltkriegen zur Welt. The design failed to attract attention and was withdrawn from sale after a few years. Schweiz. Adrian Frutiger. In Interlaken he served an apprenticeship as a compositor at Schäfli, a printer. In ihrem Andenken gründeten die Eltern die Stiftung Fondation Adrian et Simone Frutiger, die neuropsychologische und neuropsychiatrische Forschung unterstützt.[9]. As a youth, Adrian showed an interest in handwriting and lettering. Votre pte client. Stiftung Schrift und Typographie, Heidrun Osterer, Philipp Stamm (Eds. ", For the Fondation Frutiger he created a set of symbols as an abstract presentation of the Foundation's work. After an apprenticeship as a compositor in Interlaken, he studied from 1949-51 at the Kunstgewerbeschule, Zurich. Le Museum fur Gestaltung de Zurich présentait, de novembre 2016 à mars 2017, l’exposition Les Suisses de Paris, retraçant le parcours de graphistes suisses venus s’installer à Paris après la Seconde Guerre mondiale. The resultant face has a tall x-height and is legible in small-point sizes. Seine zwei bekanntesten Schriften sind die serifenlose Linear-Antiqua Univers und die für den Pariser Flughafen Charles de Gaulle entworfene Roissy, eine frühe Form der Frutiger. Adrian Frutiger *1928 à Unterseen bei Interlaken †2015 à Bremgarten bei Bern. This page was last edited on 20 December 2020, at 22:39. [73], Adrian Frutiger — Der Mann von Schwarz und Weiss, "Adrian Frutiger Dies at 87; His Type Designs Show You the Way", "Schweizer Typograf Adrian Frutiger ist tot", "Adrian Frutiger (24 May 1928 – 12 September 2015)", "Wedding announcement (collectables listing)", Friedrich Miescher Institute for Biomedical Research, "Microsoft's ClearType Font Collection: A Fair and Balanced Review", "Philosophies of Form in Seriffed Typefaces of Adrian Frutiger", "Custom Fonts and Custom Typeface Engine", "Akira Kobayashi, Linotype type director", Adrian Frutiger Dies at 87; His Type Designs Show You the Way, Font Designer – Adrian Frutiger – Adrian Frutiger Remembered, "Frutiger honored with prestigious typography award", TDC2 2006 : Winning Entries TDC2 awards page, "Adrian Frutiger develops watch dials for Ventura", Publications by and about Adrian Frutiger, Postage stamp designed by Adrian Frutiger, 'Portrait with word' of Adrian Frutiger by Mark-Steffen Goewecke, Philosophies of Form in Seriffed Typefaces of Adrian Frutiger, https://en.wikipedia.org/w/index.php?title=Adrian_Frutiger&oldid=995416163, People from Interlaken-Oberhasli District, Articles with dead external links from June 2017, Articles with permanently dead external links, Short description is different from Wikidata, Wikipedia articles with CANTIC identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Apollo (1962): created for Monotype, somewhat similar to. Icone (1980): a wedge serif design. Adrian Frutiger's self-named typeface is used for Swiss road signs. 1950 — Federal department of the Interior Prize, Bern, Switzerland, 1971 — Silver medal in competition for "Most Beautiful Swiss Books" with, 1974 — Honoured with a coat of arms by the city of Interlaken, Switzerland, 1984 — Paul-Haupt Prize from the city of Bern, Switzerland, 1986 — The Gutenberg Prize of the City of Mainz (Germany), 1987 — Gold Medal of the Type Directors Club of New York. Le Centre national des arts plastiques (Cnap), est l’un des opérateurs de la politique du ministère de la Culture. Biographie o. Adrian Frutiger. Daneben gestaltete Frutiger zahlreiche weitere Schriften, wie die Avenir, Centennial, Iridium, Meridien und Serifa. Druckvorlage Wortmarke. Nature de document. Avenir Next LT Pro a été conçu par Adrian Frutiger and Akira Kobayashi. Impressed by the success of the Bauer foundry's Futura typeface, Peignot encouraged a new, geometric sans-serif type in competition. Adrian Frutiger, star de la typographie, en 1999. [4] Nach einer Schriftsetzerlehre bei der Interlakner Buch und Kunstdruckerei Otto Schlaefli (heute Verlag Schlaefli & Maurer AG)[5] und einem Studium an der Kunstgewerbeschule Zürich (1949–1951) bei Alfred Willimann und Walter Käch (Diplomarbeit: Die europäische Schriftentwicklung vom Griechischen Lapidar-Alphabet bis zu Renaissance-Schriften) arbeitete Frutiger zunächst als Grafiker in Zürich. En 1993, stimulé par la presse graphique internationale, Frédéric Bortolotti crée une revue qui porte sur le design un regard différent des rares autres magazines français, tels que BàT ou Signes.Transversalité est le mot d’ordre : urbanisme, typographie, mode, littérature, photographie, illustration, poésie, danse, sciences, vidéo, etc. The "way-finding-signage" commission brief required a typeface both legible from afar and from an angle. In this book, Frutiger discussed his entire career and his completed and abandoned projects. 1943-1998. Adrian Frutiger (1928 Unterseen, Bernin kantoni – 10. syyskuuta 2015 Bremgarten, Aargau) oli sveitsiläinen kirjainmuotoilija. Through his later years, Frutiger collaborated with co-authors Heidrun Osterer and Philipp Stamm on an extensive autobiography, Typefaces: the Complete Works (2008, republished 2014). [2][3][4], Frutiger's most famous designs, Univers, Frutiger and Avenir, are landmark sans-serif families spanning the three main genres of sans-serif typefaces: neogrotesque, humanist and geometric. Font Designer – Adrian Frutiger I first experienced the power of type to make the whole intellectual world readable with the same letters in the days of metal. Keystone / Ayse Yavas Le Musée Gutenberg de Fribourg présente la face cachée du dessinateur de caractères Adrian Frutiger. 1955 heiratete er Simone Bickel, die 2008 verstarb. Frutiger was born on May 24, 1928 in the town of Interseen, near Interlaken and about 60 kilometers southeast of the city of Bern, Switzerland. Adrian Frutiger nous parle des faits marquants qui ont déterminé sa vie. [6] Frutiger described creating sans-serif types as his "main life's work,"[7] partially due to the difficulty in designing them compared to serif fonts. Adrian Frutiger has been listed as a level-5 vital article in People, Artists. Westside (1989): a complete departure, a Wild West-themed slab serif on the French Clarendon model. Gravé au diamant, 1967 [19] At Deberny & Peignot foundry, Frutiger designed the typefaces Président, Méridien, and Ondine. [7], Frutiger spent most of his professional career working in Paris and living in France, returning to Switzerland later in life. [7] The 1898 face, Akzidenz-Grotesk, is cited as the primary model. [7], Frutiger married Paulette Flückiger in 1952, who died in 1954 after the birth of their son Stéphane. Adrian Frutiger's first commercial typeface was Président — a set of titling capital letters with small, bracketed serifs, released in 1954. Das Buch wurde in sieben Sprachen übersetzt und veröffentlicht. Achetez neuf ou d'occasion Adrian Frutiger, nado en Unterseen o 24 de marzo de 1928 e fianado en Bremgarten bei Bern o 10 de setembro de 2015, foi un tipógrafo suízo.Creador das tipografías Univers e Frutiger, está considerado un dos máis influentes do século XX.. Traxectoria. BRANCHER. Jahrhunderts. Adrian Frutiger Biographie de Adrian Frutiger. Découvrez aussi toutes les photos et vidéos de Adrian Frutiger He closely cooperated with Linotype-Hell AG, after having been artistic director at Deberny-Peignot in Paris since 1952. [7], Frutiger war zweimal verheiratet. Sein Schriftprogramm Univers und die zum ISO-Standard erklärte maschinenlesbare Schrift OCR-B sind Meilensteine wie auch die zur Frutiger weiterentwickelte Schrift der Pariser Flughäfen – ein Qualitätsstandard für Signalisationsschriften. La France des années 1950 dans laquelle il naît connaît une période de renouveau typographique sous l'impulsion de personnalités comme Roger Excoffon ou Adrian Frutiger, sur fond de concurrence exacerbée entre les fonderies Olive et Deberny et Peignot. Brancher. Ab 1992 lebte er in Bremgarten bei Bern.[6]. [28][29], Frutiger is an amalgamation of Univers tempered with organic influences of the Gill Sans, a humanist sans-serif typeface by Eric Gill, Edward Johnston's type for the London Transport, and Roger Excoffon's Antique Olive: like Univers it uses a single-story 'g', unlike the double of Gill Sans, and has square dots on the letters, but has a generally humanist design with wide apertures to increase legibility, decided on after legibility research. Adrian Frutiger was born in Unterseen near Interlaken, Switzerland, in 1928. Stefan Zweig ou lhorreur de la politique par Antony. Jean Widmer est un graphiste né à Frauenfeld, en Suisse, le 31 mars 1929, arrivé en France dans les années 1950.Il est le concepteur de nombreux programmes d'identités visuelles. Adrian Frutiger Contemporary Swiss graphic designer, typographer and type designer of imagination and consummate craftsmanship, associated with Deberny & Peignot , Bauer and Linotype . [41] While Frutiger continued to be involved in adaptations and expansions of pre-existing families and smaller projects, he described Didot in 1998 as his "last typeface design".[7]. I didn't have the strength and patience anymore. [37], Frutiger's 1984 typeface Versailles is an old-style serif text with capitals like those in the earlier Président. Voir tous les livres de Adrian Frutiger. Adrian Frutiger (født 24. maj 1928 i Unterseen i kantonen Bern, død 12. september 2015 samme sted) var en schweizisk grafisk designer, og en af de mest indflydelsesrige typografer i 1900'tallet. Biographie Biographie Suisse allemand né en 1928 à Unterseen près d'Interlaken, et aujourd'hui retiré près de Berne, Adrian Frutiger est l'un sinon le plus grand typographe de notre temps, avec Hermann Zapf. [34], Frutiger designed a number of other signage projects in the 1970s. ): Christine Kopp, Christoph Frutiger (Hrsg. "[49] From a different perspective, type designer Martin Majoor commented that he preferred the italic but described Linotype Univers as "staggering" and "not an improvement" for its return to the very aggressively slanted italic of Frutiger's original drawings: "Redesigning an old successful typeface is something a type designer should maybe never consider. In 1955, Méridien, a glyphic, old-style, serif text face was released. Adrian Frutiger passed away in the nursing home at Bremgarten/Berne (Switzerland) in the night of 10 September 2015, age 87 and 3 month. Adrian Frutiger died on 10 September 2015 in Bremgarten bei Bern at the age of 87.[52][53]. Adrian Frutiger zählt zu den wichtigsten Schriftgestaltern des 20. Almost monoline, but with a gentle flare of strokes. Seit 2003 werden Verkehrsschilder in der Schweiz mit der Schriftart ASTRA-Frutiger Standard und ASTRA-Frutiger Autobahn beschriftet. Adrian Frutiger was born on May 24th, 1928, in Unterseen near Interlaken, Switzerland. [32][33] Frutiger's intention was more unusual: to create a design that could be modified by computer, through extreme slanting, morphing or changing stroke width, without seeming as if it had been distorted. [40] Frutiger's 1991 release Linotype Didot was an elegant revival of the Didot typeface adapted to display use, which remains popular; it is the version of Didot bundled with OS X, for example. Until his death, he lived in Bremgarten bei Bern. After this, he attended the Kunstgewerbeschule (College of Technical Arts) in Zurich for three years. Adrian Frutiger [ˈfruːtɪɡər] (* 24. Adrian Frutiger (1928-2015), is of Swiss origins and one of the most influential typeface designer who contributed greatly to computerized typography in the latter part of the twentieth century and into the 21st.His other held talents were writing and wood engraving. Folgende Schriften wurden von Adrian Frutiger entwickelt: Todesdatum 10. Extremely legible at a distance or at small size, Frutiger became hugely influential on the development of future humanist sans-serif typefaces; font designer Erik Spiekermann described it as "the best general typeface ever" while Steve Matteson described it as "the best choice for legibility in pretty much any situation" at small text sizes. Prominent users of Frutiger's typefaces include: In 2003, the Swiss watchmaker Ventura commissioned him to design a new watch face for a limited-edition line of wristwatches. His career spanned the hot metal, phototypesetting and digital typesetting eras. 1,927 likes. Il est marqué par “le sérieux et l'engagement” de ses enseignants, en particulier Ernst Gubler (1895-1958) [3]. Texte imprimé et livre numérique (9) Documents iconographiques (1) Localisation. [7], Adrian Frutiger was born in Unterseen, Canton of Bern, the son of a weaver. He later also created Frutiger Stones (no connection to Frutiger), a playful design inspired by the shapes of pebbles. Adrian Frutiger. Adrian Frutiger Famous type designer born in 1928 in Unterseen, Switzerland, who died in September 2015. In 1961–64, Frutiger created with André Gürtler a sans-serif font named Concorde for news use in regular and bold styles for Parisian printing company Sofratype. [9], At the age of sixteen, he was apprenticed for four years, as a compositor, to the printer Otto Schlaeffli in Interlaken, also taking classes in woodcuts and drawing at the Gewerbeschule in Bern under Walter Zerbe, followed by employment as a compositor at Gebr.
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